Review: Name of the Wind by Patrick Rothfuss

Title: Name of the Wind

Author: Patrick Rothfuss

Information on series: Part 1 of the Kingkiller Chronicles, an incomplete trilogy.

Audience: Adult

Rating (scale of 1-5, with 5 being highest): 5

TL;DR: A talented and charismatic hero takes his first steps toward greatness, power, and a dark destiny.

I may have my nerd-card revoked for admitting this, but I have an astonishingly hard time finding fantasy novels that I can tolerate, let alone like. I don’t dislike the genre. I’ve played Dungeons & Dragons for years and am more than happy hold forth on gnomish subspecies or the relative merits of wizardry and sorcery (in fact, every time I go to the reference desk I’m secretly hoping that today will be the day someone comes in with a meaty question about orcs or displacer beasts). After some consideration, I’ve determined that the problem is usually one of tone. Many authors seem to confuse “epic” with “self-serious.” Others veer in the opposite direction and produce novels that are just long strings of dwarf and elf jokes. In The Name of the Wind, Patrick Rothfuss strikes a refreshing balance between dour and frivolous and spins an engrossing tale of monsters, magic, and intrigue.

As the book opens, we learn that the main character, Kvothe, is a man of legendary power, known by such awed appellations as “Kvothe the Bloodless,” “Kvothe the Arcane,” and “Kvothe Kingkiller.” However, fate has turned against him and, following some undisclosed calamity, he’s holed up in a backwater hamlet waiting to die. When he’s discovered by a collector of legends, Kvothe agrees to relate his story and the book takes off, careening through forests, alleys, taverns, and palaces, detailing the creation and destruction of a hero.

The story that follows definitely prioritizes atmosphere and narrative voice. Rothfuss doesn’t aim for action movie pacing, but instead takes his time building complicated characters in a fully realized world. Plot elements move into place slowly and deliberately, forming a complex structure.

Rothfuss balances self-importance and self-effacement in a very concrete and effective manner. The young Kvothe of the main story is clever and ambitious, convinced of his own brilliance and eager to prove it to the world. At the same time, the older Kvothe of the framing story is all too aware of the tragic folly of his younger days and undercuts the heroics with a wry fatalism. This duality is riveting, drawing the reader in for both the vicarious thrill of success and the train-wreck voyeurism of defeat.

Not that anyone knows the full extent of Kvothe’s power or the exact nature of his downfall. The Name of the Wind is the first book of a trilogy. The second book, The Wise Man’s Fear, was published in March of 2011. The final book, tentatively titled The Doors of Stone, doesn’t have a release date and can’t come soon enough.

Read alikes:

The Magicians by Lev Grossman: Another trilogy-opener in which a powerful hero heads off to a magic academy. Good for the many fantasy readers who like that particular vein of world building in which theories of magic are detailed.

The Neverending Story by Micheal Ende: Though written for a younger audience, The Neverending Story may appeal to readers who enjoyed story-within-a-story structure of Name of the Wind and its grand mythic elements.

Ship of Magic by Robin Hobb: For readers looking to delve further into high fantasy. Captain Althea Vestrit fights to protect her magically sentient sailing vessel from pirates and slavers. Hobb’s story unfolds at a leisurely pace, making room for plenty of world-building detail and character development.

Readlikes suggested by Jillian: 

Blood song by Anthony Ryan

The Warded man  by Peter Brett

A lot of Robin Hobb’s other books would appeal, as well.

*back to impatiently awaiting book #3* 

Review by Andrew Fuerste-Henry --Carnegie-Stout Public Library

Review: Half a King by Joe Abercrombie

Title: Half a king

Author: Joe Abercrombie

Information on series: First of Shattered Sea trilogy, second book Half the world published 2015; final installment Half a war expected 2016.

Audience: Young Adult/New Adult, with Adult crossover potential

Read alikes: Traitor’s blade, by Sebastien de Castell; The Emperor’s blades by Brian Staveley; Prince of fools by Mark Lawrence; Grace of Kings by Ken Liu;Assassin’s apprentice by Robin Hobb

Rating (scale of 1 – 10, with 10 being the highest): 8

Recommended to: Reluctant fantasy readers as it is light on fantastical elements; fans of political/royal thrillers set in a different world; someone looking for something similar to but shorter and less violent than A Song of Ice and Fire (Game of Thrones)

Tl;dr:  A page turning coming-of-age tale set in a Nordic/Viking world with a fair share of deception and betrayal, but with redeeming themes of friendship and loyalty.

“I spent half my childhood in the shadows. Hiding from my father or my brother. Creeping from a place of solitude to another. Seeing while unseen, and pretending I was a part of what I saw. Making up a life where I wasn't an outcast.”  

Review:

Yarvi was never supposed to be King of Gettland. Born with a malformed hand he spent his time studying languages and maps, reading ancient texts and learning plant lore while preparing for life as a Minister, adviser and counselor to the royal family. But when his father and his older brother are murdered by a rival country’s king, he suddenly finds himself seated upon the Black Throne. Despite his physical handicap Yarvi is determined to prove his worth as a ruler and swears an oath to avenge his father and brother’s killers. When things don’t go quite as planned he finds himself in hostile environments far from home fighting for his life.

This book has it all: adventure on the high seas, treachery and back-stabbing, vengeance and violence, twists and turns aplenty. There’s a very minor romantic element but the true relationships are developed between the cast of well developed (though not necessarily likeable) characters. There’s enough action and dialogue to keep a reluctant fantasy reader engaged and the world-building is solid but not overbearing (no footnotes or family trees needed here). The overall tone is more melancholy and bleak which goes against more traditional epic fantasy. There are also few fantastical elements or magic, only a couple passing mentions of elves that used to inhabit the land long, long ago.

Though it is technically part of a trilogy (the third and final installment expected in 2016), there is enough closure that it could easily stand alone. It is also fairly short when compared to other fantasy novels, which will also appeal to reluctant readers or those new to the genre that may be overwhelmed by the prospect of beginning a lengthy series. The protagonist is implied to be in his late teen years, though his actual age is never mentioned. For this reason it could be promoted as Young Adult despite lacking many traditional YA tropes. Additionally, the violence and gore that is ubiquitous in Abercrombie’s earlier works has been significantly toned down.